That’s a topic for another post.ĭon’t just throw a few mics up and start banging away at the piano. I’m not going to go into the proper way to record piano here. If the piano is recorded badly, then even the greatest mixer in the world will only get a so-so sound.īut if the piano is recorded really well, then even a novice mixer can make it shine! The “quality potential” for any track is dictated by how well was recorded. Mixing is a powerful step in the production process, but without building a foundation of good recordings, you will not get good mixes. “You can polish a turd until it sparkles, but at the end of the day… you’re still holding a turd.” There’s a famous saying in the music world: This isn’t even a mixing step.īut it’s the most important step nonetheless!
Step 1: GIRATS! (or Get It Right at the Source)īefore any mixing begins, the first thing you have to do is… Until now, everyone has been teaching production totally backward.īut if you just want to learn all about Earplugs specifically, keep reading. We put together a brief training that covers a totally new approach to music production. I’m guessing you’re here because you want to make your mixes sound professional. Get industry-quality every time (steal this framework) BONUS STEP: Make Your Choruses Pop with Automation.Step 10: Give It a Little Space (With Reverb).Step 9: Put It to The Side (With Panning).Step 8: Use Range Allocation to Make Your Piano Fit.Step 1: GIRATS! (or Get It Right at the Source).Get industry-quality every time (steal this framework).
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